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11 A STUDY of a MAIDEN SEATED in a CASTLE COURTYARD
Early 1890s

SIR EDWARD COLEY BURNE-JONES, Bt.
1833-1898

A three-quarter length pensive young woman, wearing a pink long-sleeved gown decorated with gold, is seated to the right with her head turned to face the viewer. She is holding a book on her lap, in a courtyard surrounded by a simplified fortified wall.

 


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11 A STUDY of a MAIDEN SEATED in a CASTLE COURTYARD
Early 1890s

SIR EDWARD COLEY BURNE-JONES, Bt.
1833-1898

Pastel with gold highlights on brown paper, 51 x 34.3 (20 x 13.5)

Signed, E B-J (lower right)

Provenance: Lady Leslie, possibly her sale, 22 Manchester Square, 19 March 1925 (438); Sir John and Lady Leslie, sale Sotheby's 20 August 1941 (18), bought Meatyard for £4; Cecil French.

Exhibited: Fulham 1967 (34); Sheffield 1971 (116); Fulham 1983 (15)

A three-quarter length pensive young woman, wearing a pink long-sleeved gown decorated with gold, is seated to the right with her head turned to face the viewer. She is holding a book on her lap, in a courtyard surrounded by a simplified fortified wall.

The use of fenestrated fortified walls as a background in his paintings is a characteristic which appears in his work as early as the 1860s (see 16 and 3 above).

John Christian has suggested (Fulham catalogue, 1967) that this drawing is possibly a study for Vespertina Quies, 1893 (107.9 x 62.2) in the Tate Gallery, London, for which the model was Bessie Keene

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