The Cecil French Bequest Gallery Home Artists Gallery About

Contact

 

25 STUDY of FIGURES
1865

SIR EDWARD COLEY BURNE-JONES, Bt.
1833-1898

A classically draped female figure sits to the right with her head lowered, turned to face the viewer, supported by her right hand. Behind her, to the right, sits a further draped female, her head leaning to the left supported on her left arm which rests on a perfunctory ledge.

 


back

 

25 STUDY of FIGURES
1865

SIR EDWARD COLEY BURNE-JONES, Bt.
1833-1898

White chalk on brown paper, 20.95 x 24.13 (8.25 x 9.5)

Signed and dated, EBJ 1865 (lower right)

Provenance: Laurence W. Hodgson, sale Christie's 25 June 1906 (34 with two others) bought Tregaskis for 11 gns: Cecil French.

Exhibited: Fulham 1967 (7); Fulham 1983 (16).

A classically draped female figure sits to the right with her head lowered, turned to face the viewer, supported by her right hand. Behind her, to the right, sits a further draped female, her head leaning to the left supported on her left arm which rests on a perfunctory ledge.

An inscribed label, verso, probably by Cecil French, reads "Perhaps in connection with the early picture The Lament; or possibly an early study for The Briar Rose". The latter suggestion seems unlikely but the drawing may be related to The Lament, 1866 (79.4 x 47.5) in the William Morris Gallery, Walthamstow. Although the poses differ from the finished painting both are essays in classicism which played an important part in his work from 1865. John Christian (Arts Council catalogue, 1975) identifies the influence on The Lament of the Parthenon frieze, which Burne-Jones had been studying in the British Museum, and parallels with contemporary work by the classicist Albert Moore, observations which could also be applied to this drawing

back

 

home artists gallery about

contact
     

© London Borough of Hammersmith & Fulham. All rights reserved.

The Hammersmith & Fulham council website